Showing posts with label Kill la Kill. Show all posts
Showing posts with label Kill la Kill. Show all posts

Wednesday, October 15, 2014

My Favorite Hilarious Troll Moves I’ve Seen in Anime



All right, so Madoka was a serious and depressing topic last time, so I thought I’d go with a pick-me-up for this next discussion.  So!  Let’s talk about my favorite hilarious troll moves I’ve seen from anime.  Now these are just my five favorite trolls that I wanted to point out, and I’m limited by what I’ve seen, so I won’t make this a list of “The Top Five of All Anime” or anything that conceited.  Also, another limitation on this list is that I’m only including what I consider as funny trolling in anime, i.e.  playing a joke on the audience for a bit of fun, rather than for a sudden plot twist in the story that changes everything, or a scene that is a big middle finger to the fans such as Sword Art Online S1 and its main antagonist’s final spiel. (Also, I’m looking at you, OreImo.  The lesson here is if you wanna write a story, but your publisher doesn’t want it written the way you want, get a new publisher.)  As such, I’m also excluding any major plot twists from anime that greatly influence the story, such as Madoka: The Rebellion Story or other twist endings that change everything in general.  These are all great, but they deserve their own discussion since the anime industry really loves to take a left turn towards the end of their series, whether they need to or not.  Since this isn’t including any major plot twists that dramatically change a series, this discussion will actually be relatively major spoiler free, but we will be going over material that’s in the middle to end of some anime so SPOILER ALERT if you care about minor spoilers for a series.  Now, let’s get this crazy hootenanny, shindig started!

  1. Kill la Kill - The “Recap” episode
Trigger never likes to do anything the way the other guys decide to make it.  As a studio, they’ve yet to have an execution of an anime series that I’ve seen done anywhere else, and each project of theirs is definitely unique.  When it comes to Kill la Kill, if you haven’t seen my previous article on it, this is no different.  Everything happens at a blazingly fast speed, with ridiculous cuts and humor splattered across the screen.  So when they did their recap episode, this was no different.

Many anime have a recap episode in the middle of a series or after a lot of things go down in order to bring people back up to speed.  For those who watch a series week by week, instead of stumbling upon the series or waiting to watch one after it’s ended, this means that you can wait a week for a new episode just to find out it’s a rehash of everything you’ve already seen.  For longer series, sometimes this is necessary, but it’s understandable that people may not hold recap episodes in their top ten most gratifying things they’ve waited a week for.  However, Kill la Kill never likes to slow down.  So for their recap episode, we have Senketsu, the sentient sailor uniform, explain that this week they’ll be doing a recap, stating that it’s been a long time coming and many probably suspected they’d be doing one.  And with that introduction out of the way... We’re suddenly assaulted audibly and visually as Senketsu takes on the entire series’ plot up to this point in under two minutes.  It’s an insane barrage of constantly changing images and information shot at you like a machine gun, all with a backing track of several different fast-paced classical songs, such as the William Tell Overture and Offenbach’s Infernal Gallop, being blasted at the viewers’ ears as fifteen episodes are gone through within just over a minute and forty seconds.  With Senketsu and the music finally reaching a climax, we’re left breathless as Senketsu laughs to himself and states that in Kill la Kill even the recap is done so fast as to only take up the intro of the episode.  And with that out of the way, the show launches immediately back into where it left off just a week ago.


The crazy two minutes of recap in all its glory (Obviously spoilers if you haven’t seen the show):



This joke is actually a wonderful troll in that it catches the audience off-guard, but benefits the viewer by getting everything out of the way so the series can move on, which in the case of Kill la Kill’s breakneck pacing, is probably for the best.  Even though I caught this during a marathon of the series, it still left me laughing as it was another twenty-three minutes I initially thought I’d have to wade through before pleasantly being treating to another full episode minus an initial two minutes of absolute confusion.  In a series that throws laughs and tears at you (sometimes at the same time) like mashed potatoes in a food fight, it was a perfect way to do what would have otherwise been a dull twenty-three minutes of rehashed material.  It was hilarious, and if you managed to keep up with the barrage of a recap, was a great way to catch the audience up, but not slow down an incredibly fast-paced show.

  1. Love Live! Season Two -  µ’s doesn’t get into the competition
This is another fun one.  As a quick spoiler-mild summary of the series, Love Live! is an anime from Sunrise Studio about a group of nine girls who start a high school idol club as the group µ’s in order to bring more interest to their school and keep it from closing down.  Along the way, they face other idol groups, typical high school emotional situations, and failure, but persevere and manage to gain popularity and a close-knit friendship with each other.  In the second season, the girls decide to enter an idol competition of all the major high school idol groups called Love Live! (go figure) and try to make it big.  During the first preliminary, the girls perform their hearts out, but get incredibly nervous about how well they did in comparison to all the other groups.  The morning of the results, the girls gather in their club room and discuss how each one is dealing with their nervousness as one of the girls, Hanayo, checks the Love Live website to see if they made it.  One scroll after another, the idol groups appear until… µ’s didn’t make it.  The whole group freaks out, with some on the verge of tears.  After all of their hard work, they failed.  The group screams, then suddenly- “And that’s how my dream went!” says Honoka, retelling her dream from the night before.  With that sudden scene change, Honoka and the others are back in the clubroom, nervous and waiting to see if they made it past the preliminaries just like a few minutes ago.  We see the same scene (sans the telling of the dream) with the same characters being nervous in the same way.  Finally, they scroll through the list and… the last one to make it is µ’s, but not without plenty of anxiety that Honoka’s dream was foretelling the future.

The best part about this scene is that Sunrise Studio did everything to make it seem like µ’s was actually not going to make it.  This series had previously pulled a few heart-wrenching stunts like this before, but without the joke end.  There was no little clue to say it was a dream, and the scene played out exactly as if that was the end of their try at the competition.  The scene change to the real world was also so sudden that it hits like a speeding car into a brick wall when it happens.  And to top it all off, Sunrise re-did the same exact five minutes after coming back from the dream in the same exact manner with no difference at all, just to make the audience nervous that µ’s really wasn’t going to make it again.  Was it necessary?  No, but it added humor to an otherwise serious scene and after the fact, it was damn funny watching the characters’ reactions the second time around as they had just gone through the same ordeal as the audience.

  1. Hyouka - Oreki Makes a Move… Or, Wait.  What?
As a warning, this scene acts as an epilogue to the series and involves the protagonist, Oreki, and his major crush, Chitanda, so this one’s a bit of a spoiler if you care about the last few lines of the anime, but otherwise, doesn’t directly relate to any major plot points in the series and also doesn’t spoil anything else that wasn’t already shown fifty times over.  Speaking of being shown fifty times over, in case you haven’t seen this beautiful series about solving mysteries, what we’ll be talking about is the constant adorable subplot of these two characters, Oreki and Chitanda, crushing hard towards each other throughout the series and how they refuse to act upon their feelings.  Twenty-two episodes of crushing from afar, awkward silences, and adorable moments later, we find these two no closer to popping the question of dating.  Until now.  


Aren’t they just the most adorable couple of idiots in denial?

The last episode of this anime is entirely set up to allow these two characters to bond and become closer as they go together to visit Chitanda’s family and the festival her family puts on each year, as well as work together to keep the festival from failing.  Afterwards, Oreki and Chitanda are walking home from said celebration.  Both are discussing everything that happened and Chitanda’s role as the daughter of a very important and prestigious farming family.  Chitanda mentions how she’ll have to take up a leading role in her family and how her two choices she sees for herself are going into science to learn how to create better crops, or going into business to increase yields and avoid bankruptcy.  Chitanda states that she feels she’d be terrible at running a business and has decided to go into science.  There’s a pause between them, and then Chitanda suddenly stops as they are walking and says to Oreki that the place they’re walking so peacefully through, is not the prettiest or the most promising, but she wanted Oreki to see it, bravely letting her emotions shine through a bit.  Oreki stops as well, thinks for a second, and says “By the way... About the business side that you gave up on...  How about I take care of that for you?” alluding to marrying her in order to support her in her pursuit.  She gasps as the cherry blossoms from the tree nearby fall down around them, highlighting the scene as time seems to have stopped between these two.  Suddenly, one of blossoms covers the camera and we’re taken back in time not ten seconds ago.  Chitanda asks why Oreki said “By the way…” to her and paused without saying anything else.  Oreki suddenly blushes and says never mind, mumbling to Chitanda about how it’s getting cold.  She smiles as she realizes at least partially his feelings towards her and the series ends with cherry blossoms highlighting the moment for them.




https://www.youtube.com/watch?v=sJ-N--S_FVo
The ending lines starting at Oreki saying “By the way…”  Sorry, I couldn’t find one with subtitles.




The best part about this moment is how it initially catches the viewer off-guard, but still perfectly fits the anime.  In many segments throughout the series, we see Oreki’s thoughts through very imaginative segments of imagery, such as when Chitanda comes very close to him and Oreki’s heart skips a beat.  He suddenly sees Chitanda’s hair bloom beautiful green and white flowers and grow to wrap all around him, connecting them.  Oreki blushes hard and tries not to let his emotions show, but then we’re suddenly transported back to reality, where Oreki is just standing there blushing at Chitanda as she quizzically stares at him with a smile.  There are also moments when the objects in the background change to show different emotions Oreki feels.  One great example is when a clock in a coffee shop is completely normal, but after the camera changes to show Chitanda say something potentially misleading to Oreki, we switch back to Oreki and the clock’s pendulum is now a heart.  These segments are wonderful to look at, but so sparse throughout the show that each time they occur, they come as a pleasant surprise that highlights the small subplot of trying to get these two together.

However, from the start of the series, the show seems to push these two together at a pace slower than a snail’s first baby steps.  In doing this, by the end of it, I found myself on edge, desperately hoping against hope that they’d at least acknowledge that they both liked each other.  Then suddenly, out of the blue, in the last scene of the last episode Oreki jumps ahead a few steps and goes right to marriage?  My jaw made a small crater in the floor as I watched this.  I still feel a bruise on the bottom of my chin.  Then, we suddenly have that cherry blossom go in front of the camera and ruin the entire moment, with Oreki really just blushing as he can’t seem to get the right words out.  I remember yelling at the screen, “Oh, you fucker!”  But then suddenly Chitanda smiles, acknowledging at least partially how Oreki feels.



It’s a wonderful scene and a great last highlight to a series that houses a beautiful, innocent relationship between two characters.  I really love Hyouka for portraying several different loves stories very intelligently, not just the one mentioned above.  I also absolutely love the mysteries the group solves throughout the show. While many are deeply inspired by Sir Arthur Conan Doyle and Dame Agatha Christie, each one is entirely unique and massively clever on how they work as well as how they’re solved.  It’s an ingenious series and I highly recommend it if you have the time.


  1. Katanagatari - The Fight with Hakuhei Sabi
This one had me in stitches because there was no way to see it coming.  In Katanagatari, Shichika Yasuri, a swordsmen who practices fighting without swords, and Togame, a brilliant woman and self-proclaimed “master strategist”, are on a quest to find and secure twelve evil blades with immense power.  The problem is each blade has its own individual wielding them, and not a single owner is less than a master in fighting.  Each episode of the series follows one month of finding, negotiating and/or fighting, and then taking the blades from each of their owners, ending in one full year of an epic story that borrows heavily from Japanese folklore in artistic style and theming, but throws in modern influences to create a very unique and interesting package.  In fact, many things about this show, such as the characters and philosophies, are incredibly unique and the show surprisingly does a great job of blending off-beat humor into the mix of this epic tale.  This show can be incredibly funny and the “fight” against the master swordsmen Hakuhei Sabi is one of the funniest moments of them all.

Throughout the first few episodes of the series, Hakuhei Sabi is shown to exhibit an amazing fighting prowess and his blade seems to be shaping up as one of the hardest to achieve by our protagonists Shichika and Togame. The third episode of the series ended dramatically and alluded in its preview of the next episode to finally getting to this epic fight, team Shichika/Togame against Hakuhei, with dramatic action and crazy moves flashing across the screen to tantalize the audience for the next episode.  One month of scheduled release later (or in the case of my marathon of the series, one bathroom break later), we head into the fourth episode with massive anticipation.  The episode starts with Togame receiving a letter of challenge from Hakuhei for their fight and her complaining about the old-fashioned style he deals with challenging them.  With her left eye changing color to reflect a mind immediately scheming, we head into the intro song.  After the opening credits, we come back to our two protagonists as they discuss the coming battle.  After a little joking around, they’ve made their plans, and we change scenes to a group of ninjas that had been seen in a previous episode planning to assassinate Shichika’s sister in order to provoke him.  From this point on, the rest of the episode is from the perspective of these ninjas as they attack and fail to eliminate their opponent in what turns into something straight out of a horror movie.

This is where the joke comes in.  The episode takes so much time on this side story that by the time we come back to our two protagonists, they’ve already had the battle and are relaxing and patting each other on the back on how well they did against their incredibly tough opponent.  After building up to this battle for an accumulation of four episodes, roughly almost four hours of content, all we get is an after battle scene where they talk about this climactic fight in a play-by-play like you’d expect sportscasters to after just witnessing the best game of the season.  Phrases like, “Did you see that…” and “I can’t believe what happened when you…” and “Remember when he…” are continuously thrown out for ten minutes as these two triumphant heroes chow down on an after-battle snack.  The icing on this troll cake is that the characters talk about how they’ve bonded even more now through all of the actions we’ve just missed, as they look out at the completely decimated island that was their battlefield just across the waters, showing very obviously how what the audience missed was apparently the most intense scene of the entire series thus far.

The whole idea of purposefully misleading the audience by having a preview that shows nothing of what actually happens is hilarious and on top of this, having the anime poke fun at the audience by having an entire scene dedicated to explaining what they missed out on had me both fuming and laughing at the same time.  This series is clever and never likes to repeat the same exact joke, unless it’s a punchline that they can farm for pure hilarity gold, so it never did a scene like this again.  It came and went like a random guy that pushes you over and laughs at your fall while jumping off the bridge to his hidey hole.  In other words, a typical troll.  And while your normal troll has crazy hair, plastic skin, and haunts my childhood memories of playing with toys (along with furbies), this troll is one that I love.  I love this show for all of its clever plot, unique and interesting characters, and never-ending ridiculous jokes.




  1. Monogatari Series:  Second Season - Medusa Arc’s Prediction of the End
This is my all-time favorite troll I’ve ever seen in an anime.  I may be biased here.  For one, I absolutely love this anime.  For another, this one was really clever, but so absurd that it took me way off-guard.  Without spoiling too much of this beautiful story, at the end of the Medusa arc of episodes, one of the main characters of the show falls into insanity after attaining godhood and attacks the main character Araragi.  Senjougahara, the girlfriend of Araragi and all around clever bad-ass, strikes a deal with our insane friend to spare her and her love’s lives until after graduation from high school.  However, secretly it’s to give Senjougahara enough time to come up with a plan to save them.  Not knowing this, our mad god finds the idea of waiting until an arbitrary time, such as high school graduation, to murder someone simply hilarious and allows it.  Not promising to do no harm but just letting them live through any injury their crazy godliness inflicts upon them.  After this, Insane in the godly Membrane, who narrated the entirety of this arc of the series from their perspective, talks directly to the audience one last time and states how instead of the typical epilogue at the end of each arc of this show, she’ll give a trailer for the end of the season, with the play-by-play of a fierce and horrible end to the series.  Every character will be there and a lot of blood will be spilled as well as a few poetic deaths for several of the main cast.  Finally, we see nutty god deposit our protagonist's body in a box for this god to seemingly forever have as a trophy.


https://www.youtube.com/watch?v=baCgF7_RIlI
For those that don’t mind major spoilers of the final scene of the Medusa arc, here’s what I’m talking about:



While the mad god is twisting the scene to fit how he/she feels it’ll end, everything does seem to lead up to a bloody and horrible final battle like this trailer states, with everyone planning for an ultimate fight for survival against a mad god.  But here is where it gets good.  The show leaves us with a cliffhanger, as the arc after this gives us a little reprieve via a side story, heightening the tension the audience feels by not getting to the end already.  Afterwords, we get a complete jump to another character altogether who decides to take matters into their own hands to save our wonderful cast of characters.  Without spoiling the end of the season, everything comes to a head with time running out until… We get nothing.  Nothing at all at least as far as our crazy deity’s prediction goes.  The final “battle” suddenly doesn’t involve anything that was foretold from on high.  The scene goes from a nerve-racking situation to absolutely laughable in the best way possible with an all-out airing of dirty laundry and not a single character smitten as the embarrassed mad god can’t even keep their emotions in check, let alone kill someone.  It’s hilarious, and shows how a person achieving the powers of a god is still just a person at heart, no matter how far apart from humanity they seemed.  The mad god is defeated in an absurd way and all is saved so this wonderful story doesn’t end well before it needs to.  This paragraph will not do this scene justice as I didn’t want to spoil the punchline for those who haven’t watched the show, but I implore you to see it as this anime does a wonderful job of writing some of the cleverest twists and endings I’ve seen, and this scene left me in stitches, forcing me to pause the video so I could try and stop laughing before continuing the show.


And these are my favorite funny troll moves I’ve seen done in anime.  Once again, this is a list unique to me and only represents which ones I thought were the best.  It also is a bit of a nitpicked list as I tried to avoid troll moves I thought were too much of a spoiler for a series or were too dark to be considered funny.  That said, I feel these are really great and all come from great shows.  If you haven’t seen any of these shows, I highly recommend them as they all have a lot of great and clever ideas to bring to the table.  If you have any thoughts on these or can think of any you’ve seen that had you laughing, let me know!

Friday, September 12, 2014

Kill la Kill - Feminism, Sexuality, and WHY IS EVERY EPISODE MORE INTENSE THAN THE LAST!?


Let’s talk about feminism and sexuality.  For those that inwardly groan at the mention of these sometimes over-discussed topics, I can promise you that there will be massive fan-service and tons of ridiculous action.  Fair?  But a warning up front:  Given the show we’re discussing, this isn’t exactly going to be safe-for-work at all times.  I’ll also try to be vague about many particular instances in the show, but this will be a spoiler warning for anyone who hasn’t seen, or cares to see, the show.  Now that we have our NSFW tag and SPOILER ALERT included, let’s begin.


So, for anyone that doesn’t know, Kill la Kill is an incredible but incredibly polarizing anime that came out during the Fall 2013 Anime Season and ran until Spring 2014.  The story follows Ryuuko Matoi, a character who is set on seeking revenge on the murderer of her father.  She tracks down leads to arrive at Honnouji Academy, an incredibly militaristic school ruled by the class council and their class president Satsuki Kiryuin.  Satsuki controls the populace by instigating a class system based around school uniforms with different percentages of “life fibers” that enhance the abilities of the wearer.  The more life fibers a particular piece of clothing contains, the more powerful it is.  Soon after heading home from the school, Ryuuko finds a gift from her late father, a living sentient uniform, Senketsu, made of pure life fibers that gives her insane amounts of power.  Together, with her new companion, she decides to take on the entire school to find her father’s killer and upset the status quo.


This probably sounds a little weird but cool.  Kick-ass female characters duking it out against each other while blowing the climax of any other action anime out of the water with the sheer amount of epic action scenes.  A feminist Michael Bay would be proud.  So what’s the problem here?  Why are people on both sides so up in arms about this show, saying the show represents female empowerment and others screaming that it's sexist?  What do people have against it?  Well… Possibly the “uniform” that Ryuuko’s father gave to her, for one.  At this part of the post, you should start checking to see if the boss can see your computer.



Clearly seen, not much left to the imagination.  This is one of the big reasons people scream misogyny at this show.  “The main character has no clothes!  How lewd!  Obviously it’s just sexualizing women!”  And to those who don’t understand the show very well, this is probably what you'll get out of it. However, let’s look at the rest of the cast for a second…



I have a feeling you can’t quite call this misogynistic if everybody is getting in on this super-hot orgy.  Joking aside, what we see here is more of a ridiculous use of nudity and sexual themes for all sides of the gender spectrum.  This is one of the things I love about Kill la Kill.  It sounds weird, I know, but bare with me.  Two of the major themes of Kill la Kill are obviously nudity and sexuality.  Both are topics that many people may not like to discuss and I absolutely love how this show blows the book wide open.  The reason we have a bunch of nudists is because the show is all about clothes and the lack thereof.


One idea about clothes explored in this show is the word-play between “fashion” and “fascism”; the reason being that they sound similar in Japanese.  We see that the Honnouji Academy creates the uniforms and uses them in a way to keep control over the students through a class system.  We also find out that the rebel group against the school is referred to as Nudist Beach and, just as their name entails, are men and women that forsake clothes because they are a symbol of being controlled and buying into this class system.  It’s a bit of an anti-consumerist message as fashion and clothing are equated to the same political ideas behind Nazism, but it also sets the tone perfectly since the ideas of nudity and clothing are central to the plot of this show.


In fact, even the name of the show has to do with clothes.  Kill la Kill, or “Kiru la Kiru” as it would be said in Japan, is actually a clever pun on the Japanese words for “cut,” “kill,” and “wear,” as they all can be pronounced in a similar way in Japanese.  We can assume from this that the title is not just about killing the killer of Ryuuko's father, but also can be thought of as “cut to wear,” referring to Ryuuko’s uniform being lessened in actual skin coverage in order to become more powerful.  This also holds true for some other members of the cast as well since, as the show goes on, each character is wearing less and less but is also becoming more and more powerful.  We also see many other puns on the ideas of clothing.  A primary example of this being whenever a character is defeated and their power-giving uniform is torn to pieces, the words “'stripped' of the will to fight” appear on-screen.


So with the ideas of rebelling against the clothed establishment, as the show continues, we obviously have a bunch of nudists and a severe lack of clothing during the show.  This brings up the topic of the naughty bits and sexuality.  Luckily for the faint of heart, no matter how the camera pans, there’s always something to defend our eyes from full-frontal nudity.  Also, in this universe, women apparently have no nipples and men’s penises have a tendency to shine pink light that’s too bright to actually see the crotch.  But even if the physical parts aren't there, the themes definitely are.  Kill la Kill is unapologetic in using its characters to give us all complicated feelings about the topics of sexuality.  This is definitely apparent with the many shots of Ryuuko in less than proper poses, particularly at the beginning of the show.



And here is where one of our major problems arise.  With our main protagonist (Ryuuko) and antagonist (Satsuki) both wearing their Sunday’s best birthday suits throughout the show, along with having the camera trying its hardest to accentuate this, we have massive amounts of sexualization of our main characters.  I scream this every time I see this in JoJo’s Bizarre Adventure, but the difference here being that JoJo’s isn’t an ecchi.  Ryuuko and Satsuki are two high-school girls, not manly men that make me feel incredibly non-muscular in comparison.  And let’s face it, what we see here is blatant flaunting of girl parts for the sake of fan-service, regardless of if it’s worked into the story to make sense.  Trying to argue that point is like trying to argue a bikini episode in every anime is a perfectly benign and intelligent idea.  This may be a common trope throughout standard anime shows, but that doesn’t excuse it simply because it upholds tradition.  

However, let me introduce you to two of my favorite characters from Kill la Kill:  Ryuuko’s teacher and higher up in Nudist Beach, Aikurou Mikisugi, and one of the student council members, Ira Gamagoori.




These two characters earned a spot in my list of favorite characters for a multitude of reasons, one of the most notable (for purposes of this article at least) is because of their ridiculous nature.  We’ll start with Aikurou as his sparkling appearance catches my eye.  Let me state this with absolute certainty:  As much as Ryuuko and Satsuki tread the line of too much fan-service, this man is firmly well past that line.  I’m pretty sure he could compete with either of the two leading ladies for the most amount of sexualization in this anime.  There is not a shot of this man, outside of when he's disguised, where his clothes are not falling off of him.  And yet it fits him because of his role in the story.  As one of the leading members of Nudist Beach, he obviously is not comfortable in his own clothes.




But nudity is one thing.  This…




This is something else entirely.  And that’s the point.  He’s a ridiculous character, but he drives home the wonderful fact that this isn’t just a sexualization of the female cast.  If it was, you wouldn’t see a nice divide of feminist arguing over if it's sexist or not.  If it was, you wouldn’t see me defending this show (I’m looking at you, High-school of the Dead and High-school DxD).  The ecchi part of this anime is overblown at times, but it shows equal opportunity for both genders. It also fits within the themes of the show, which is that clothing is optional and an unabashed celebration of the human body is what’s popular in this world.


As another example of these themes, just look at one of our other male cast members, Ira Gamagoori, in his transformed uniform.  An upstanding gentleman in all aspects of life except for his fighting style.





If you were wondering what special power he gets with this interesting uniform, it’s probably what you’d expect from the look of it.  When he’s taken on enough pain inside of his bondage suit, he explodes in power and transforms into a monster with hundreds of whips to give back just as much pain as he received.  This show isn’t even being metaphorical here.  The man orgasms and then goes from a submissive role to a dominatrix one in this weird bondage game.  There’s no member of the female cast that even comes close to this when it comes to sexualization of their powers.  I’d also like to point out that he’s probably the only character to pull this off and it not come off as creepy, somehow.  Stoicism and nobility do wonders for certain characters.



So we’ve gone over the equal opportunity of the sexy factor in this show, but now we find ourselves with the question… Why?  Why all of the over-the-top sexualization and nudity?  Well, for the nudity, it’s an element of the show that’s deeply integrated and discussed.  Early on, Ryuuko learns that the secret to unlocking the full potential of her uniform is to accept herself and her body without embarrassment, which allows her to symbiotically link with Senketsu as if he was “her skin.”  In this way, our female protagonist becomes unashamed of her body and is proud of herself, regardless of who sees her wearing her uniform.  Also, as mentioned earlier, the idea of nudity in the show is to cast off fashion and the oppression of those who make the clothes and the clothes themselves.  This becomes more literal as the show goes on when actual suits of clothing start to fight against the rebellion of nudists.  These are interesting ideas and while the use of nudity can be jarring, the show pushes the point that it shouldn’t be.  The natural state of a human being is naked and it shouldn’t be something we’re ashamed of.  At one point, a monologue about Adam and Eve feeling embarrassed after eating the apple is directly linked to the modern obsession of clothes in a consumerist market.  It isn’t just nudity for a quick joke.  There are actual themes and reasons for it.

As for the sexuality, that one is a little tougher to answer.  It is used for jokes many times over to add to the absurdity of the universe within this anime.  However, we also see it used to drive home points that we may not be comfortable with.  For instance, there are a couple of very uncomfortable scenes involving Satsuki’s mother, Ragyou, that depict how twisted and evil the character is being within the show.  Ragyou Kiryuin is shown to physically and sexually abuse her daughter, and I’m not going to lie, I was incredibly uncomfortable and a bit disturbed.  This was intentional, however, as the creators of the show were hitting home how completely disgusting, manipulative, and honestly fucked up this character's mindset is.  I know for me, it worked.  I couldn’t stand the character, and it also helped us sympathize with Setsuki, her daughter, who wasn’t even really explicitly shown on the side of good until the last half of the show, particularly the last few acts of the last half.  Did the couple of scenes need to be so uncomfortable?  Probably not, but neither do half of the scenes in Game of Thrones, yet that’s heralded as a modern masterpiece, even though it uses very similar techniques to emphasize evil characters.  As for the less disturbing and more in-your-face moments of sexuality in the show when it’s not used for a joke, I’d argue that Kill la Kill follows the idea that sexuality is simply not talked about when it should be.  Having it shoved in our faces (literally) forces us to acknowledge that it’s there and sensuality is a natural part of the human body.  As such, we should be aware of it and cope with the ideas of sensuality as they’re not going away.


To end, Kill la Kill in my opinion, is one of the best animes I’ve seen come out in a long time.  Its use of empowered female characters (on both sides of good and evil), equal treatment regardless of gender, as well as nudity and sexuality as au natural ideas of the human body give it a big feminist thumbs up from me and another thumbs up for being an awesome show.  I highly recommend it to anyone who’s not afraid of a little skin and who loves incredible action and thought-provoking themes, and I didn’t even cover half of the ideas brought up by this show.  Things like the importance of family on our behavior and our future, a comparison of the life fiber uniforms as a wearable technology to the real life craze of wearable technology, as well as the idea of who we really are as people and what makes a human actually human are all discussed very well by this show.  If you disagree with me, I’d love to hear a discussion about why, and if you actually read this whole thing, you are a saint and a scholar and I love you.

Research and Inspiration for this discussion:

Kill La Kill: How the year's most polarizing anime became a smash hit - http://bit.ly/1z2nraA

Fashion, Femininity, and Fascism, but Family Foremost: The Themes of Kill la Kill - http://bit.ly/1z2nt2e

Kill La Kill Is A Rare Breed Of Anime - http://bit.ly/1z2nx1Y

Kill la Kill: The Fashion of Fascism - http://bit.ly/1z2nAuD